“I have waited for you on purpose, and am very glad to see you arrive so happy,” said Hippolyte, when the prince came forward to press his hand, immediately after greeting Vera.
| “Tell us now, at once, what you made of the present? I must have you answer this question for mother’s sake; she needs pacifying, and so do all the rest of the family!” |
| “We all know where _you_ must be off to!” said Mrs. Epanchin, in a meaning voice. |
“Perhaps that is just what was so fascinating about it.”
“What! Pleased with all that nonsense! Why, cannot you see that they are all infatuated with pride and vanity?” Lizabetha Prokofievna well understood that the old lady was angry at the failure of Evgenie Pavlovitch--her own recommendation. She returned home to Pavlofsk in a worse humour than when she left, and of course everybody in the house suffered. She pitched into everyone, because, she declared, they had ‘gone mad.’ Why were things always mismanaged in her house? Why had everybody been in such a frantic hurry in this matter? So far as she could see, nothing whatever had happened. Surely they had better wait and see what was to happen, instead of making mountains out of molehills. “It’s a lovely carriage,” said Adelaida.“At last!” murmured Lizabetha Prokofievna indignantly.
“If you had cared to be an honest woman, you would have gone out as a laundress.”
| “Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people. |
“I quite understand you. You mean that an innocent lie for the sake of a good joke is harmless, and does not offend the human heart. Some people lie, if you like to put it so, out of pure friendship, in order to amuse their fellows; but when a man makes use of extravagance in order to show his disrespect and to make clear how the intimacy bores him, it is time for a man of honour to break off the said intimacy, and to teach the offender his place.”
| “They showed me out with bows and every kind of respect; they seemed quite beside themselves. I shall never forget the expression of their faces! |
| “Well--he’s a good match--and a bad one; and if you want my opinion, more bad than good. You can see for yourself the man is an invalid.” |
“Oh, she would funk a scandal like anyone else. You are all tarred with one brush!”
Such were her words--very likely she did not give her real reason for this eccentric conduct; but, at all events, that was all the explanation she deigned to offer.
When recalling all this afterwards the prince could not for the life of him understand how to reconcile the beautiful, sincere, pure nature of the girl with the irony of this jest. That it was a jest there was no doubt whatever; he knew that well enough, and had good reason, too, for his conviction; for during her recitation of the ballad Aglaya had deliberately changed the letters A. N. B. into N. P. B. He was quite sure she had not done this by accident, and that his ears had not deceived him. At all events her performance--which was a joke, of course, if rather a crude one,--was premeditated. They had evidently talked (and laughed) over the ‘poor knight’ for more than a month.“Here, on the verandah? Very well, I’ll tell them all not to come and wake you. Papa has gone out somewhere.”
“Oh, trust _him_ for that!” said Adelaida. “Evgenie Pavlovitch turns everything and everybody he can lay hold of to ridicule. You should hear the things he says sometimes, apparently in perfect seriousness.”| “Won’t you leave the room, mamma?” asked Varia, aloud. |
| “But--recollect, Nastasia Philipovna,” stammered Totski, “you gave a promise, quite a free one, and--and you might have spared us this. I am confused and bewildered, I know; but, in a word, at such a moment, and before company, and all so-so-irregular, finishing off a game with a serious matter like this, a matter of honour, and of heart, and--” |
| “You’d better speak out. You’ll be sorry afterwards if you don’t.” |
“But the trouble is,” said the prince, after a slight pause for reflection, “that goodness only knows when this party will break up. Hadn’t we better stroll into the park? I’ll excuse myself, there’s no danger of their going away.”
“Never mind!” she laughed, “but why didn’t you come earlier? Perhaps you were expected!”“They are Nihilists, are they not?”
“What are you thinking of? Don’t go, he’ll blow his brains out in a minute!” cried Vera Lebedeff, rushing up to Hippolyte and catching hold of his hands in a torment of alarm. “What are you thinking of? He said he would blow his brains out at sunrise.”
“Yes, but that was a great idea,” said the prince, clearly interested. “You ascribe it to Davoust, do you?”
| “At home, everybody, mother, my sisters, Prince S., even that detestable Colia! If they don’t say it, they think it. I told them all so to their faces. I told mother and father and everybody. Mamma was ill all the day after it, and next day father and Alexandra told me that I didn’t understand what nonsense I was talking. I informed them that they little knew me--I was not a small child--I understood every word in the language--that I had read a couple of Paul de Kok’s novels two years since on purpose, so as to know all about everything. No sooner did mamma hear me say this than she nearly fainted!” |
“Oh, no, it is not the point, not a bit. It makes no difference, my marrying her--it means nothing.”
He awoke towards nine o’clock with a headache, full of confused ideas and strange impressions. For some reason or other he felt most anxious to see Rogojin, to see and talk to him, but what he wished to say he could not tell. Next, he determined to go and see Hippolyte. His mind was in a confused state, so much so that the incidents of the morning seemed to be imperfectly realized, though acutely felt.
He seized a glass from the table, broke away from the prince, and in a moment had reached the terrace steps.| “Goodness gracious! good heavens!” came from all quarters of the room. |
| “Brought whom?” cried Muishkin. |
“Did you never take your knife to Pavlofsk with you?” “No. As to the knife,” he added, “this is all I can tell you about it.” He was silent for a moment, and then said, “I took it out of the locked drawer this morning about three, for it was in the early morning all this--happened. It has been inside the book ever since--and--and--this is what is such a marvel to me, the knife only went in a couple of inches at most, just under her left breast, and there wasn’t more than half a tablespoonful of blood altogether, not more.”
| “I declare, this is a lunatic asylum!” cried Lizabetha Prokofievna. |
| Next moment something appeared to burst open before him: a wonderful inner light illuminated his soul. This lasted perhaps half a second, yet he distinctly remembered hearing the beginning of the wail, the strange, dreadful wail, which burst from his lips of its own accord, and which no effort of will on his part could suppress. |
The prince tried to speak, but could not form his words; a great weight seemed to lie upon his breast and suffocate him.
“‘Escape, general! Go home!--’ “No!”“No--no, impossible!” said Evgenie, rising.