“It only remains for me, then, to thank Nastasia Philipovna for the great delicacy with which she has treated me,” said Gania, as pale as death, and with quivering lips. “That is my plain duty, of course; but the prince--what has he to do in the matter?”
“You may smile,--but there’s a career in this,” said the general. “You don’t know what a great personage I shall show this to, prince. Why, you can command a situation at thirty-five roubles per month to start with. However, it’s half-past twelve,” he concluded, looking at his watch; “so to business, prince, for I must be setting to work and shall not see you again today. Sit down a minute. I have told you that I cannot receive you myself very often, but I should like to be of some assistance to you, some small assistance, of a kind that would give you satisfaction. I shall find you a place in one of the State departments, an easy place--but you will require to be accurate. Now, as to your plans--in the house, or rather in the family of Gania here--my young friend, whom I hope you will know better--his mother and sister have prepared two or three rooms for lodgers, and let them to highly recommended young fellows, with board and attendance. I am sure Nina Alexandrovna will take you in on my recommendation. There you will be comfortable and well taken care of; for I do not think, prince, that you are the sort of man to be left to the mercy of Fate in a town like Petersburg. Nina Alexandrovna, Gania’s mother, and Varvara Alexandrovna, are ladies for whom I have the highest possible esteem and respect. Nina Alexandrovna is the wife of General Ardalion Alexandrovitch, my old brother in arms, with whom, I regret to say, on account of certain circumstances, I am no longer acquainted. I give you all this information, prince, in order to make it clear to you that I am personally recommending you to this family, and that in so doing, I am more or less taking upon myself to answer for you. The terms are most reasonable, and I trust that your salary will very shortly prove amply sufficient for your expenditure. Of course pocket-money is a necessity, if only a little; do not be angry, prince, if I strongly recommend you to avoid carrying money in your pocket. But as your purse is quite empty at the present moment, you must allow me to press these twenty-five roubles upon your acceptance, as something to begin with. Of course we will settle this little matter another time, and if you are the upright, honest man you look, I anticipate very little trouble between us on that score. Taking so much interest in you as you may perceive I do, I am not without my object, and you shall know it in good time. You see, I am perfectly candid with you. I hope, Gania, you have nothing to say against the prince’s taking up his abode in your house?”
| “How very curious, point for point the same anecdote, and happening at different ends of Europe! Even the light blue dress the same,” continued the pitiless Nastasia. “I must really send you the paper.” |
| “This was still smaller than the other, so cramped that I could scarcely turn round; a narrow single bed at one side took up nearly all the room. Besides the bed there were only three common chairs, and a wretched old kitchen-table standing before a small sofa. One could hardly squeeze through between the table and the bed. |
| “H’m! now, I suppose, you and your husband will never weary of egging me on to work again. You’ll begin your lectures about perseverance and strength of will, and all that. I know it all by heart,” said Gania, laughing. |
All this was suspicious and unsatisfactory. Very likely the porter had received new instructions during the interval of the prince’s absence; his manner was so different now. He had been obliging--now he was as obstinate and silent as a mule. However, the prince decided to call again in a couple of hours, and after that to watch the house, in case of need. His hope was that he might yet find Nastasia at the address which he had just received. To that address he now set off at full speed.
“I am surprised to see you laugh in that way, like a child. You came to make friends with me again just now, and you said, ‘I will kiss your hand, if you like,’ just as a child would have said it. And then, all at once you are talking of this mad project--of these seventy-five thousand roubles! It all seems so absurd and impossible.”
| So at the risk of missing General Epanchin altogether, and thus postponing his visit to Pavlofsk for a day, at least, the prince decided to go and look for the house he desired to find. |
He approached the table and laid a small sheet of paper before her. It looked like a little note.
| However, both the friends felt that the thing looked rosy indeed when one day Nastasia informed them that she would give her final answer on the evening of her birthday, which anniversary was due in a very short time. |
The prince reflected a little, but very soon he replied, with absolute conviction in his tone, though he still spoke somewhat shyly and timidly:
“I know that--I know that; but what a part to play! And think what she must take _you_ for, Gania! I know she kissed mother’s hand, and all that, but she laughed at you, all the same. All this is not good enough for seventy-five thousand roubles, my dear boy. You are capable of honourable feelings still, and that’s why I am talking to you so. Oh! _do_ take care what you are doing! Don’t you know yourself that it will end badly, Gania?”
| “My goodness--surely she is not in love with such a--surely she isn’t mad!” groaned Mrs. Epanchin, under her breath. |
“Yes, herself; and you may believe me when I tell you that I would not have read it for anything without her permission.”
Little by little a sort of inspiration, however, began to stir within him, ready to spring into life at the right moment. When he did begin to speak, it was accidentally, in response to a question, and apparently without any special object.
| “No, I don’t think so,” said the prince, thoughtfully; “it’s too late for that--that would be dangerous now. No, no! Better say nothing about it. Be nice with him, you know, but don’t show him--oh, _you_ know well enough--” |
“And I also wish for justice to be done, once for all,” cried Madame Epanchin, “about this impudent claim. Deal with them promptly, prince, and don’t spare them! I am sick of hearing about the affair, and many a quarrel I have had in your cause. But I confess I am anxious to see what happens, so do make them come out here, and we will remain. You have heard people talking about it, no doubt?” she added, turning to Prince S.
“The Emperor was much struck.”
“Nonsense! love him and torment him so! Why, by the very fact that he put the purse prominently before you, first under the chair and then in your lining, he shows that he does not wish to deceive you, but is anxious to beg your forgiveness in this artless way. Do you hear? He is asking your pardon. He confides in the delicacy of your feelings, and in your friendship for him. And you can allow yourself to humiliate so thoroughly honest a man!”
| “There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” |
Sure enough there was something sticking out of the front of the coat--something large. It certainly felt as though it might well be the purse fallen through a hole in the pocket into the lining.
| “I, and Burdovsky, and Kostia Lebedeff. Keller stayed a little while, and then went over to Lebedeff’s to sleep. Ferdishenko slept at Lebedeff’s, too; but he went away at seven o’clock. My father is always at Lebedeff’s; but he has gone out just now. I dare say Lebedeff will be coming in here directly; he has been looking for you; I don’t know what he wants. Shall we let him in or not, if you are asleep? I’m going to have a nap, too. By-the-by, such a curious thing happened. Burdovsky woke me at seven, and I met my father just outside the room, so drunk, he didn’t even know me. He stood before me like a log, and when he recovered himself, asked hurriedly how Hippolyte was. ‘Yes,’ he said, when I told him, ‘that’s all very well, but I _really_ came to warn you that you must be very careful what you say before Ferdishenko.’ Do you follow me, prince?” |
Suddenly, a quarter of an hour after the prince’s departure, Aglaya had rushed out of her room in such a hurry that she had not even wiped her eyes, which were full of tears. She came back because Colia had brought a hedgehog. Everybody came in to see the hedgehog. In answer to their questions Colia explained that the hedgehog was not his, and that he had left another boy, Kostia Lebedeff, waiting for him outside. Kostia was too shy to come in, because he was carrying a hatchet; they had bought the hedgehog and the hatchet from a peasant whom they had met on the road. He had offered to sell them the hedgehog, and they had paid fifty copecks for it; and the hatchet had so taken their fancy that they had made up their minds to buy it of their own accord. On hearing this, Aglaya urged Colia to sell her the hedgehog; she even called him “dear Colia,” in trying to coax him. He refused for a long time, but at last he could hold out no more, and went to fetch Kostia Lebedeff. The latter appeared, carrying his hatchet, and covered with confusion. Then it came out that the hedgehog was not theirs, but the property of a schoolmate, one Petroff, who had given them some money to buy Schlosser’s History for him, from another schoolfellow who at that moment was driven to raising money by the sale of his books. Colia and Kostia were about to make this purchase for their friend when chance brought the hedgehog to their notice, and they had succumbed to the temptation of buying it. They were now taking Petroff the hedgehog and hatchet which they had bought with his money, instead of Schlosser’s History. But Aglaya so entreated them that at last they consented to sell her the hedgehog. As soon as she had got possession of it, she put it in a wicker basket with Colia’s help, and covered it with a napkin. Then she said to Colia: “Go and take this hedgehog to the prince from me, and ask him to accept it as a token of my profound respect.” Colia joyfully promised to do the errand, but he demanded explanations. “What does the hedgehog mean? What is the meaning of such a present?” Aglaya replied that it was none of his business. “I am sure that there is some allegory about it,” Colia persisted. Aglaya grew angry, and called him “a silly boy.” “If I did not respect all women in your person,” replied Colia, “and if my own principles would permit it, I would soon prove to you, that I know how to answer such an insult!” But, in the end, Colia went off with the hedgehog in great delight, followed by Kostia Lebedeff. Aglaya’s annoyance was soon over, and seeing that Colia was swinging the hedgehog’s basket violently to and fro, she called out to him from the verandah, as if they had never quarrelled: “Colia, dear, please take care not to drop him!” Colia appeared to have no grudge against her, either, for he stopped, and answered most cordially: “No, I will not drop him! Don’t be afraid, Aglaya Ivanovna!” After which he went on his way. Aglaya burst out laughing and ran up to her room, highly delighted. Her good spirits lasted the whole day.
| “Who indeed?” exclaimed Prince S. |
| “I see what you are driving at,” said Nastasia Philipovna. “You imply that the prince is after the seventy-five thousand roubles--I quite understand you. Mr. Totski, I forgot to say, ‘Take your seventy-five thousand roubles’--I don’t want them. I let you go free for nothing--take your freedom! You must need it. Nine years and three months’ captivity is enough for anybody. Tomorrow I shall start afresh--today I am a free agent for the first time in my life. |
“Yes, yes,” agreed the prince, warmly.
The prince flushed up so much that he could not look her in the face.
“He has been very ill,” added Varia.
“Nobody here is laughing at you. Calm yourself,” said Lizabetha Prokofievna, much moved. “You shall see a new doctor tomorrow; the other was mistaken; but sit down, do not stand like that! You are delirious--” Oh, what shall we do with him she cried in anguish, as she made him sit down again in the arm-chair.
| Before entering he stopped on the threshold, raised his hand as if making a solemn vow, and cried: |
“No, I have really an object in going... That is, I am going on business it is difficult to explain, but...”
He declared, further, that he had intended to go every day, but had always been prevented by circumstances; but that now he would promise himself the pleasure--however far it was, he would find them out. And so Ivan Petrovitch _really_ knew Natalia Nikitishna!--what a saintly nature was hers!--and Martha Nikitishna! Ivan Petrovitch must excuse him, but really he was not quite fair on dear old Martha. She was severe, perhaps; but then what else could she be with such a little idiot as he was then? (Ha, ha.) He really was an idiot then, Ivan Petrovitch must know, though he might not believe it. (Ha, ha.) So he had really seen him there! Good heavens! And was he really and truly and actually a cousin of Pavlicheff’s?
PART IV
One of the representatives of the middle-class present today was a colonel of engineers, a very serious man and a great friend of Prince S., who had introduced him to the Epanchins. He was extremely silent in society, and displayed on the forefinger of his right hand a large ring, probably bestowed upon him for services of some sort. There was also a poet, German by name, but a Russian poet; very presentable, and even handsome--the sort of man one could bring into society with impunity. This gentleman belonged to a German family of decidedly bourgeois origin, but he had a knack of acquiring the patronage of “big-wigs,” and of retaining their favour. He had translated some great German poem into Russian verse, and claimed to have been a friend of a famous Russian poet, since dead. (It is strange how great a multitude of literary people there are who have had the advantages of friendship with some great man of their own profession who is, unfortunately, dead.) The dignitary’s wife had introduced this worthy to the Epanchins. This lady posed as the patroness of literary people, and she certainly had succeeded in obtaining pensions for a few of them, thanks to her influence with those in authority on such matters. She was a lady of weight in her own way. Her age was about forty-five, so that she was a very young wife for such an elderly husband as the dignitary. She had been a beauty in her day and still loved, as many ladies of forty-five do love, to dress a little too smartly. Her intellect was nothing to boast of, and her literary knowledge very doubtful. Literary patronage was, however, with her as much a mania as was the love of gorgeous clothes. Many books and translations were dedicated to her by her proteges, and a few of these talented individuals had published some of their own letters to her, upon very weighty subjects.
“Take fifty roubles for your cloak?” he shouted, holding the money out to the girl. Before the astonished young woman could collect her scattered senses, he pushed the money into her hand, seized the mantle, and threw it and the handkerchief over Nastasia’s head and shoulders. The latter’s wedding-array would have attracted too much attention, and it was not until some time later that the girl understood why her old cloak and kerchief had been bought at such a price.
“I don’t know whether I did or not,” said Rogojin, drily, seeming to be a little astonished at the question, and not quite taking it in.
“But, on the other hand, more frank in the evening! In the evening sincere and frank,” repeated Lebedeff, earnestly. “More candid, more exact, more honest, more honourable, and... although I may show you my weak side, I challenge you all; you atheists, for instance! How are you going to save the world? How find a straight road of progress, you men of science, of industry, of cooperation, of trades unions, and all the rest? How are you going to save it, I say? By what? By credit? What is credit? To what will credit lead you?”
| “They have planted roses all round her grave, and every year they look after the flowers and make Marie’s resting-place as beautiful as they can. I was in ill odour after all this with the parents of the children, and especially with the parson and schoolmaster. Schneider was obliged to promise that I should not meet them and talk to them; but we conversed from a distance by signs, and they used to write me sweet little notes. Afterwards I came closer than ever to those little souls, but even then it was very dear to me, to have them so fond of me. |
“You are not angry with me?” he asked suddenly, and with a kind of nervous hurry, although he looked them straight in the face.
| “They do say one can dance with those!” |
“Oh, but I did not speak of individual representatives. I was merely talking about Roman Catholicism, and its essence--of Rome itself. A Church can never entirely disappear; I never hinted at that!”
He seemed to have been born with overwrought nerves, and in his passionate desire to excel, he was often led to the brink of some rash step; and yet, having resolved upon such a step, when the moment arrived, he invariably proved too sensible to take it. He was ready, in the same way, to do a base action in order to obtain his wished-for object; and yet, when the moment came to do it, he found that he was too honest for any great baseness. (Not that he objected to acts of petty meanness--he was always ready for _them_.) He looked with hate and loathing on the poverty and downfall of his family, and treated his mother with haughty contempt, although he knew that his whole future depended on her character and reputation.
“Let’s go,” said Rogojin, touching his shoulder. They left the alcove and sat down in the two chairs they had occupied before, opposite to one another. The prince trembled more and more violently, and never took his questioning eyes off Rogojin’s face.
“Do you forgive me all--_all_, besides the vase, I mean?” said the prince, rising from his seat once more, but the old gentleman caught his hand and drew him down again--he seemed unwilling to let him go.
| But in spite of this conclusion to the episode, the prince remained as puzzled as ever, if not more so. He awaited next morning’s interview with the general most impatiently. |
| “Draw the scaffold so that only the top step of the ladder comes in clearly. The criminal must be just stepping on to it, his face as white as note-paper. The priest is holding the cross to his blue lips, and the criminal kisses it, and knows and sees and understands everything. The cross and the head--there’s your picture; the priest and the executioner, with his two assistants, and a few heads and eyes below. Those might come in as subordinate accessories--a sort of mist. There’s a picture for you.” The prince paused, and looked around. |
Colia and Vera Lebedeff were very anxious on the prince’s account, but they were so busy over the arrangements for receiving the guests after the wedding, that they had not much time for the indulgence of personal feelings.
“Fits?” asked the prince, slightly surprised. “I very seldom have fits nowadays. I don’t know how it may be here, though; they say the climate may be bad for me.”
“Where’s your luggage?” he asked, as he led the prince away to his room.
But, besides the above, we are cognizant of certain other undoubted facts, which puzzle us a good deal because they seem flatly to contradict the foregoing.
“Well, sir, I suppose you wanted to make me look ridiculous?”
| But the prince’s mental perturbation increased every moment. He wandered about the park, looking absently around him, and paused in astonishment when he suddenly found himself in the empty space with the rows of chairs round it, near the Vauxhall. The look of the place struck him as dreadful now: so he turned round and went by the path which he had followed with the Epanchins on the way to the band, until he reached the green bench which Aglaya had pointed out for their rendezvous. He sat down on it and suddenly burst into a loud fit of laughter, immediately followed by a feeling of irritation. His disturbance of mind continued; he felt that he must go away somewhere, anywhere. |
“And why did you tell us this?”
V.
“But what have I done? What is his grievance?” asked Hippolyte, grinning.
| The ladies dress elegantly, on these days, and it is the fashion to gather round the band, which is probably the best of our pleasure-garden bands, and plays the newest pieces. The behaviour of the public is most correct and proper, and there is an appearance of friendly intimacy among the usual frequenters. Many come for nothing but to look at their acquaintances, but there are others who come for the sake of the music. It is very seldom that anything happens to break the harmony of the proceedings, though, of course, accidents will happen everywhere. |
“I have had that idea.”
“It was--about--you saw her--”
“That picture! That picture!” cried Muishkin, struck by a sudden idea. “Why, a man’s faith might be ruined by looking at that picture!”
“What music?”
“At all events, I shall not interfere with you!” he murmured, as though making answer to some secret thought of his own.
The outburst was so terribly violent that the prince thought it would have killed her.
| “Yes, that wasn’t a clever remark,” said Alexandra. |
“Not that way,” said Rogojin.
“Just two words: have you any means at all? Or perhaps you may be intending to undertake some sort of employment? Excuse my questioning you, but--”
“Listen to me! You are going to live here, are you not?” said Colia. “I mean to get something to do directly, and earn money. Then shall we three live together? You, and I, and Hippolyte? We will hire a flat, and let the general come and visit us. What do you say?”
Neither spoke for five minutes.
In fact, the door opened directly, and the footman informed the visitors that the family were all away.
“I don’t know. Perhaps it was that I seemed to come upon light in the midst of my gloom. I told you the truth when I said I did not know why I thought of you before all others. Of course it was all a sort of dream, a dream amidst the horrors of reality. Afterwards I began to work. I did not intend to come back here for two or three years--”
“Oh, but I know nothing about painting. It seems to me one only has to look, and paint what one sees.”
PART II
| She hated the idea of it, everyone saw that; and she would probably have liked to quarrel about it with her parents, but pride and modesty prevented her from broaching the subject. |
“Married? how--what marriage?” murmured Gania, overwhelmed with confusion.
It seemed clear to the prince that Aglaya forgave him, and that he might go there again this very evening; and in his eyes that was not only the main thing, but everything in the world.
| He awaited the reply in deadly anxiety. |
| “Look here, once for all,” cried Aglaya, boiling over, “if I hear you talking about capital punishment, or the economical condition of Russia, or about Beauty redeeming the world, or anything of that sort, I’ll--well, of course I shall laugh and seem very pleased, but I warn you beforehand, don’t look me in the face again! I’m serious now, mind, this time I _am really_ serious.” She certainly did say this very seriously, so much so, that she looked quite different from what she usually was, and the prince could not help noticing the fact. She did not seem to be joking in the slightest degree. |
“What did he do there? What did he say?” “They couldn’t tell me themselves; they couldn’t make head or tail of it; but he frightened them all. He came to see the general, who was not at home; so he asked for Lizabetha Prokofievna. First of all, he begged her for some place, or situation, for work of some kind, and then he began to complain about _us_, about me and my husband, and you, especially _you_; he said a lot of things.”
“Evgenie Pavlovitch,” he said, with strange excitement and seizing the latter’s hand in his own, “be assured that I esteem you as a generous and honourable man, in spite of everything. Be assured of that.”
The outburst was so terribly violent that the prince thought it would have killed her.
IX.
“Formerly, when I was seven years old or so. I believe I wore one; but now I usually hold my napkin on my knee when I eat.”
“Well, hardly so. If you stretch a point, we are relations, of course, but so distant that one cannot really take cognizance of it. I once wrote to your mistress from abroad, but she did not reply. However, I have thought it right to make acquaintance with her on my arrival. I am telling you all this in order to ease your mind, for I see you are still far from comfortable on my account. All you have to do is to announce me as Prince Muishkin, and the object of my visit will be plain enough. If I am received--very good; if not, well, very good again. But they are sure to receive me, I should think; Madame Epanchin will naturally be curious to see the only remaining representative of her family. She values her Muishkin descent very highly, if I am rightly informed.”
“But he has never even--”
| The Epanchins’ country-house was a charming building, built after the model of a Swiss chalet, and covered with creepers. It was surrounded on all sides by a flower garden, and the family sat, as a rule, on the open verandah as at the prince’s house. |