He pulled the note out and kissed it; then paused and reflected. “How strange it all is! how strange!” he muttered, melancholy enough now. In moments of great joy, he invariably felt a sensation of melancholy come over him--he could not tell why.

“You must have no suspicions, none whatever,” said Lebedeff quickly. “I only want you to know that the person in question is not afraid of him, but of something quite, quite different.”

“Nonsense, what rubbish you talk!” the mother struck in. “Not know how to see! Open your eyes and look! If you can’t see here, you won’t see abroad either. Tell us what you saw yourself, prince!”

“Married? how--what marriage?” murmured Gania, overwhelmed with confusion.
“Ti-Ti-Timofey.”

Hippolyte clutched his manuscript, and gazing at the last speaker with glittering eyes, said: “You don’t like me at all!” A few laughed at this, but not all.

Such a tile was about to descend upon the elegant and decorous public now assembled to hear the music.

“Well, what then? Supposing I should like to know?” cried Lizabetha Prokofievna, blushing. “I’m sure I am not afraid of plain speaking. I’m not offending anyone, and I never wish to, and--”

Aglaya observed it, and trembled with anger. “Oh! couldn’t you find out?” muttered Gania, trembling hysterically.
“I say that I have but to open my mouth, and you--”
Ivan Petrovitch began to stare at him with some surprise; the dignitary, too, looked at him with considerable attention; Princess Bielokonski glared at him angrily, and compressed her lips. Prince N., Evgenie, Prince S., and the girls, all broke off their own conversations and listened. Aglaya seemed a little startled; as for Lizabetha Prokofievna, her heart sank within her.
“She has promised to tell me tonight at her own house whether she consents or not,” replied Gania.
The general looked significantly at his host. “This is too horrible,” said the general, starting to his feet. All were standing up now. Nastasia was absolutely beside herself.
“Look here, Parfen; if you love her so much, surely you must be anxious to earn her respect? And if you do so wish, surely you may hope to? I said just now that I considered it extraordinary that she could still be ready to marry you. Well, though I cannot yet understand it, I feel sure she must have some good reason, or she wouldn’t do it. She is sure of your love; but besides that, she must attribute _something_ else to you--some good qualities, otherwise the thing would not be. What you have just said confirms my words. You say yourself that she found it possible to speak to you quite differently from her usual manner. You are suspicious, you know, and jealous, therefore when anything annoying happens to you, you exaggerate its significance. Of course, of course, she does not think so ill of you as you say. Why, if she did, she would simply be walking to death by drowning or by the knife, with her eyes wide open, when she married you. It is impossible! As if anybody would go to their death deliberately!”

“No; a bundle--your brother has just gone to the hall for it.”

“Gania, Gania, reflect!” cried his mother, hurriedly.

She could not hold out long enough even to witness his movement in her direction. She had hidden her face in her hands, cried once “Oh, my God!” and rushed out of the room. Rogojin followed her to undo the bolts of the door and let her out into the street.

Alexandra, who had seemed to wish to put in her word when the prince began, now sat silent, as though some sudden thought had caused her to change her mind about speaking.

“Yes, I did; I am thinking of it.” “Stop a minute; where are you off to? Who is this abbot?” cried Mrs. Epanchin to her retreating husband in a tone of excited annoyance. “H’m! and he receives a good salary, I’m told. Well, what should you get but disgrace and misery if you took a wife you hated into your family (for I know very well that you do hate me)? No, no! I believe now that a man like you would murder anyone for money--sharpen a razor and come up behind his best friend and cut his throat like a sheep--I’ve read of such people. Everyone seems money-mad nowadays. No, no! I may be shameless, but you are far worse. I don’t say a word about that other--”
Feeling that his question was somewhat gauche, he smiled angrily. Then as if vexed that he could not ever express what he really meant, he said irritably, in a loud voice:

“I thought of buying flowers, and putting them all round her; but I was afraid it would make us sad to see her with flowers round her.”

“Dear me--is it possible?” observed the clerk, while his face assumed an expression of great deference and servility--if not of absolute alarm: “what, a son of that very Semen Rogojin--hereditary honourable citizen--who died a month or so ago and left two million and a half of roubles?”
“How? What kind of person is she?” cried the general, arrived at the limits of his patience. “Look here, Gania, don’t you go annoying her tonight. What you are to do is to be as agreeable towards her as ever you can. Well, what are you smiling at? You must understand, Gania, that I have no interest whatever in speaking like this. Whichever way the question is settled, it will be to my advantage. Nothing will move Totski from his resolution, so I run no risk. If there is anything I desire, you must know that it is your benefit only. Can’t you trust me? You are a sensible fellow, and I have been counting on you; for, in this matter, that, that--”

But he, perhaps, did not understand the full force of this challenge; in fact, it is certain he did not. All he could see was the poor despairing face which, as he had said to Aglaya, “had pierced his heart for ever.”

The prince heard the whole of the foregoing conversation, as he sat at the table, writing. He finished at last, and brought the result of his labour to the general’s desk.

“‘My God!’ he cried, ‘where did you find it? How?’ I explained in as few words as I could, and as drily as possible, how I had seen it and picked it up; how I had run after him, and called out to him, and how I had followed him upstairs and groped my way to his door.

“What do _you_ know about our faces?” exclaimed the other two, in chorus.

“Well?”
He tried to give the prince an affectionate smile, and it seemed to the latter as though in this smile of his something had broken, and that he could not mend it, try as he would.
“No, Aglaya. No, I’m not crying.” The prince looked at her.

The prince made no reply.

He rose from his seat in order to follow her, when a bright, clear peal of laughter rang out by his side. He felt somebody’s hand suddenly in his own, seized it, pressed it hard, and awoke. Before him stood Aglaya, laughing aloud.
Hippolyte was scarcely listening. He kept saying “well?” and “what else?” mechanically, without the least curiosity, and by mere force of habit.
“Quite so, I see; because, you know, little mistakes have occurred now and then. There was a case--”
“He gets most of his conversation in that way,” laughed Evgenie Pavlovitch. “He borrows whole phrases from the reviews. I have long had the pleasure of knowing both Nicholai Ardalionovitch and his conversational methods, but this time he was not repeating something he had read; he was alluding, no doubt, to my yellow waggonette, which has, or had, red wheels. But I have exchanged it, so you are rather behind the times, Colia.”

He hid his face in his hands.

“Oh no! I have been here a long while,” replied Colia, who was at the front door when the general met him. “I am keeping Hippolyte company. He is worse, and has been in bed all day. I came down to buy some cards. Marfa Borisovna expects you. But what a state you are in, father!” added the boy, noticing his father’s unsteady gait. “Well, let us go in.”
“Can you shoot at all?”
“Well, for God’s sake, what made you say the other?”
“What is it?” asked the actress.
“I agree,” said Lebedeff, firmly, looking round involuntarily at his daughter, who had come nearer, and was listening attentively to the conversation.

This is how it came about that at eleven o’clock next morning Rogojin’s flat was opened by the police in the presence of Lebedeff, the two ladies, and Rogojin’s own brother, who lived in the wing.

The reading of these letters produced some such effect upon the prince. He felt, before he even opened the envelopes, that the very fact of their existence was like a nightmare. How could she ever have made up her mind to write to her? he asked himself. How could she write about that at all? And how could such a wild idea have entered her head? And yet, the strangest part of the matter was, that while he read the letters, he himself almost believed in the possibility, and even in the justification, of the idea he had thought so wild. Of course it was a mad dream, a nightmare, and yet there was something cruelly real about it. For hours he was haunted by what he had read. Several passages returned again and again to his mind, and as he brooded over them, he felt inclined to say to himself that he had foreseen and known all that was written here; it even seemed to him that he had read the whole of this some time or other, long, long ago; and all that had tormented and grieved him up to now was to be found in these old, long since read, letters.
He had approached the prince with the intention of talking sarcastically about his happy expression of face, but very soon forgot his intention and began to talk about himself. He began complaining about everything, disconnectedly and endlessly, as was his wont.
Both the listeners laughed again.
As for his own impression on entering the room and taking his seat, he instantly remarked that the company was not in the least such as Aglaya’s words had led him to fear, and as he had dreamed of--in nightmare form--all night.
Hippolyte flushed hotly. He had thought at first that the prince was “humbugging” him; but on looking at his face he saw that he was absolutely serious, and had no thought of any deception. Hippolyte beamed with gratification.
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
Her father, mother, and sisters came into the room and were much struck with the last words, which they just caught as they entered--“absurdity which of course meant nothing”--and still more so with the emphasis with which Aglaya had spoken.